Gender, Sexuality and the Body in Medieval Art

Instructor: Flora Ward, Temple University

Course Objectives

In popular culture, the word “medieval” has some very negative connotations – particularly when it comes to gender, sexuality, and the body. Medieval bodies are sites of pain, punishment, and denial. What relevance could they possibly have for us today?

This course aims to challenge these stereotypes to reveal how the body was at the heart of medieval culture. From an empty vessel subject to sin and decay, to an essential agent of salvation, the body is central to how medieval people understood themselves and their relationship to the physical and spiritual world around them – much as it is today.

The materiality of art and architecture makes them a powerful lens through which to explore these complex and often conflicting ideas about the body. The sites, objects and images we will look at in this course challenge any simplistic, one-dimensional understanding of sexuality, gender, and the body in the Middle Ages, opening up new ways of understanding both historical and contemporary debates surrounding these issues.

Difficulty Level

This course requires no prior or specialized knowledge. Lectures will provide both this historical and art historical context for our discussion, as will suggested primary and secondary readings. As academic language – and medieval primary sources! – can often be opaque and off-putting for the uninitiated, we will spend time working together to ensure that we all understand the content and purpose of these readings.   

Readings

We will use a core text for this course: Jack Hartnell, Medieval Bodies: Life, Death, and Art in the Middle Ages (London: Profile Books, 2018). In addition, we offer a variety of primary and secondary sources should you wish to pursue any additional readings. All readings will be available via Dropbox as will the slide presentations showcasing the more striking pieces of art we will be examining.

Lectures (Tuesdays and Thursdays at 3:00pm Pacific/6:00pm Eastern/11:00pm Greenwich)

Thursday, November 10th: Why Medieval Bodies?

  • Caroline Walker Bynum, “Why All the Fuss About the Body? A Medievalist’s Perspective,” Critical Inquiry 22, no. 1 (1995): 1–33.
  • Meme me up: https://www.medievalmemes.org/ atlantic medieval

Tuesday, November 15th: Gendered Bodies, Sex, & Sexuality

  • Joan W. Scott, “Gender: A Useful Category for Historical Analysis,” American Historical Review 91, no. 5 (1986): 1053–75.

Thursday, November 17th: Holy Bodies, Holy Bones: Relics, Reliquaries and Pilgrimage

Tuesday, November 22nd: Handiwork for the Lord: Men, Women, & Monasticism

Thursday, November 24th: Eyes of the Soul, Eyes of the Body: Sight, Sex, and Sensory Experience

Tuesday, November 29th: From the Virgin Birth to the Cesarean Section: Skin & Touch

Thursday, December 1st: Medieval “Erotic” Art: Representing Sexual Difference & Desire

Tuesday, December 6th: From Hearts to Whores: Courtly Love & Its Conventions

Thursday, December 8th: Blood: Circulation, Circumcision & Antisemitism

Tuesday, December 13th: Digestion & Damnation: Sodomy & Same-Sex Love

Thursday, December 15th: Dancing with Death: Bones, Burials, & Tombs

Tuesday, December 20th: The Fate of the Body: Fragmentation, Resurrection & Salvation

Thursday, December 22nd: The End of the Body: Medieval Bodies, Modern Anxieties